The Ballet Academy, housed at Suzanne's School of Dance, gives passionate dancers ages 7 and up throughout the Brazos Valley the opportunity to train exclusively in Ballet. Each dancer will have individual guidance in their dance journey through professional instruction, individualized tracks, and regular evaluations. Emphasis will be on technical training, performance quality, and building strength and endurance.
In addition to rigorous classes, teachers will conduct one-on-one consultations, goal setting, and regular progress evaluations with each dancer. We provide a variety of workshops/trainings for our students including the following: Injury Prevention Screenings, Progressing Ballet Technique (PBT), Pilates Mat, and Ballet Variations. Students also have the opportunity to develop friendships through group activities outside of the studio, such as attending ballet performances in Houston and Q & A sessions with their instructors about Summer Intensives. Dancers at The Ballet Academy will be challenged to their fullest potential in new ways as our talented staff comes alongside them to help them reach their goals. Each dancer is truly seen at The Ballet Academy.
Christi Varvel began her Ballet training at Le Studio Dance in Los Angeles, CA under the instruction of Philip and Charles Fuller of Ballet West, and Julia Ortega, and Roberto Almaguer of Ballet Nacional de Cuba. During her time at Le Studio she performed in the Nutcracker, dancing the roles of Chinese, Spanish, Mirliton, and Waltz of the Flowers. Continuing her education, she danced under the direction of Cynthia Lawrence of Ballet West and Lawrence
Blake of The Joffrey Ballet at Pasadena Dance Theater as a member of Pasadena Dance Theater’s Company. She performed in a Midsummer Night’s Dream, the Nutcracker, and original works by Lawrence Blake.With an eye towards teaching, Christi received her Bachelors degree in Dance, from the University of Colorado, Boulder with a focus in pedagogy, Ballet, Jazz, and Modern dance. During these years, Christi taught Ballet at a Boulder area studio and creative movement at a Montessori school. Through her work at the Montessori school she taught creative movement and dance as a form of therapy for students with ADHD. After moving
to College Station, TX, in 2014, Christi began teaching at Suzanne’s School of Dance and has
served as the Director of Apprentice AbunDance, Mini Company, and The Ballet Academy. In 2017, she redeveloped the Ballet curriculum to focus on rigor, art, and individual motivation. In past years, she has enjoyed serving as a rehearsal director and choreographer for Ballet Brazos’ annual production of The Nutcracker and spring production. When she is not teaching dance, she enjoys performing with Talitha Dance Company. It is her hope through teaching, performance,
and passion, that her students will be inspired by the discipline and art of ballet.
Born in Houston, Texas, John Henry Reid began his training at the Houston Ballet Academy under the direction of Ben Stevenson. He started his training in a young mens program at the age of 10 and graduated from Houston Ballet Academy at the age of 20. While there he study many different dance styles including classical ballet, partnering, character, mordern, jazz and many others, and he was also the first to receive the Ben Stevenson Scholarship award. Upon his graduation from the academy, John was asked to join Texas Ballet Theater. At Texas Ballet he performed many principle roles from the Nutrcracker Prince, Franz in Coppelia, Peer Gynt in Ben Stevensons Peer Gynt and Ben Stevensons End of Time pas de duex. He spent the next seven years dancing for companies like Colorado Ballet, where he met and danced for Martin Fredmann, to Complexions Contemporary Ballet in New York, and City Ballet of San Diego. He has guested for Cincinnati Ballet, Complexions Contemporary Ballet, Dominic Walsh Dance Theater, Twin City Ballet Theater, Houston Ballet Rep Ballet, Uptown Street Dance Company, Ballet Artisan, and the University of Oklahoma.
His repertoire includes leading roles in Dracula, the Hunchback of Notre Dame, Giselle, The Sleeping Beauty, Celts, Company B, 9 Sinatra Songs, Swan Lake, Walpurgisnacht, and many more contemporary ballets choreographed by choreographers such as Dwight Rhoden, Igal Perry, Jessica Lang, Darrell Grand-moultrie, Jo Funaki and others.
Mr.Reid has spent the last eight years continuing to expand his extensive repertoire while dancing, teaching, choreographing, and coaching in Japan. His choreographic works have been set on companies and schools across Japan. While in Japan John and Aya opened their own school Elements Academy of Dance.
Born in Osaka, Aya Ota began her ballet training at Homura Tomoi ballet school in Osaka. She was trained in Vaganova. Her teachers were Makio Homura, Toyoko Miyamoto, and Emiko Inoue. During that time she attended The School of Kirov Ballet Vaganova Ballet Academy. While there she studied Classical Ballet with Zagurskaya Margarita, Character dance with Averkina Larissa, Historical Dance with Apadiakos Natalya, and Mime with Stiopio Alexander.
She has also studied in RAD, Royal Academy of Dance and has received high marks in Elementary, Intermediate, and Advance 1 exams. She has attended the London Studio Centre and studied under teachers Barry McGrath, Margaret Barbieri, Anita Yang, Jane Sang, Sue Booker, and others.
After Graduating from the London Studio Centre, Aya returned to Japan and joined Ballet Chambre Ouest in Hachioji Tokyo, under the direction of Hiroaki Imamura. Over her 16 years at Ballet Chambre Ouest, Aya danced Principle and soloist roles in many classical ballets and original works. Her repertoire consist of lead roles in The Nutcracker, Cinderella, Le Corsaire, Thumbelina, Gisselle, Swan Lake, Raymonda,Tenjyo no uta, Pas de duex from Donizetti, Fairy tale, and Luna. She has also performed at the Bolishoi Theatre with Ballet Chambre Ouest.
For the past 15 years Aya has been teaching ballet technique, pointe, variations, and pas de duex. Some of her students received 1st place, 5th place, and finalist in competitions such as, Educational Ballet competition, YAGP in Japan, Japan Dance Competition, Japan competition in Hachioji, Japan Gran Prix, and the All Japan Competition.
Mariah began dancing when she was 7 years old and focused on classical ballet technique. She
also had the opportunity to train at the Ballet Conservatory of South Texas and participated in
their preprofessional ballet company. She is now continuing her education as a teacher by
attending courses such as Marie Walton-Mahon’s Progressive Ballet Technique. Mariah has
been a part of the Suzanne’s family for 3 years and is excited to start her 4th year of teaching at
the studio. This year Mariah will be director for Apprentice Company and is looking forward to
exploring this new roll. Mariah is so grateful for her studio family and she is eager to see all the
year has in store!